Bob and Ron’s Record Club Radio Archive – Episode 74

Bob and Ron’s Record Club is a mind-altering substance, and Radio Archive Episode 74 has a speedy edge to the “dose.” The latest episode is a potent, high-energy set of amazing tunes and as always, the Record Club conversations of Bob and Ron. Great tracks from Curtis Mayfield, Stevie Wonder, Devo, Wet Willy, Tommy James, and many more. Don’t worry about getting into this episode, … Continue reading Bob and Ron’s Record Club Radio Archive – Episode 74

Audio Resuscitation

In anticipation of some truly exciting developments looming on the horizon, it’s time to pump some life into the Audio Division.

We are pleased to announce Audio Resuscitation, a new series of Soundcloud audio tracks pulled from the archives of all current BSM recording artists. The majority of featured tracks will be previously unreleased rarities including personal home demos, outtakes, practice tapes, and obscure cover songs, plus details of pedigree, circumstance, and anecdotal reference from the artists.

To kick things off, here are three tracks from Christian Adams’ 2000 Demos, the title itself a play on the year it was recorded, and a mild exaggeration of Christian’s demo catalog. Only 10 copies of the CD with original artwork were printed and passed out to friends; it is uncertain if any copies still exist.

“I’m High” – During the mid-90s there was a club on the north side of Chicago called Delilah’s where I would occasionally score dope from a guy who looked like Elvis. That’s the first verse: ‘A slow death in fives/The fix is inline/It’s on at Delilah’s tonight.’ A five was one mini-Ziploc of 50mgs, so for a quarter gram you’d say “Five on five” or “five” and get a bundle of five baggies. So that’s where most of the lyrics came from; basically cribbed from memories of being really high at Delilah’s. The place was always full of freaks and I mean that in a good way. None of my friends knew I’d been dabbling in heroin, and none of them hung out at Delilah’s on a regular basis. Then I left Chicago and moved to S.F., where I started secretly using again, hence, the inspiration for the music itself. While the song was definitely written under the influence, I’m pretty sure I couldn’t have pulled this off if I were nodding out.

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