Last Updated on February 19, 2026 by Christian Adams
Progressive rock and art rock slipped into mainstream consciousness in 1974. We received extremely important and, in some cases, watershed records from Brian Eno, Sparks, Steely Dan, King Crimson, Queen, Genesis, Supertramp, Kraftwerk, and Roxy Music.
We haven’t exactly moved on from the over-indulgence of bands like Emerson, Lake & Palmer (ELP), Electric Light Orchestra (ELO), and Yes, but 1974 featured debut albums from Rush, Bad Company, Kiss, Judas Priest, Todd Rundgren’s Utopia, Robert Palmer, Kansas, Commodores, and The Residents.
With so many artists having new records to promote, nearly all these bands were out on tour in 1974, and most were putting on incredible shows that mattered.
Let’s look at some of my favorite set lists of 1974.
Genesis at Maple Leaf Gardens, Toronto, ON
| Date: | December 16, 1974 |
| Tour: | The Lamb Lies Down on Broadway |
In May 1974, Genesis finished a grinding tour of Europe and North America to promote their fifth studio album, Selling England by the Pound (1973), one of the cornerstone records of progressive and art rock.
On the verge of critical and commercial success, Genesis spent three months at Headley Grange (where Zeppelin had just finished recording Physical Graffiti) to write and record the next studio album, which became one of the greatest progressive-art rock concept albums of all time, The Lamb Lies Down on Broadway (1974).
Genesis supported The Lamb with a 102-date Europe/North American tour, playing the album in its entirety, followed by an encore (usually “The Musical Box” and/or “Watcher of the Skies”). The tour began on November 20, 1974, at Chicago Stadium, Chicago, IL.
Playing the album start-to-finish was not unheard of in rock music; The Who and Jethro Tull had done it (or close enough for rock n’ roll). However, it was an incomparable and risky move to attempt in front of North American audiences who had barely enough time to digest Selling England the year before. And their first three studio albums were virtually unknown in the United States and Canada.
With one minor radio hit under their belt (“I Know What I Like (in Your Wardrobe)”, Genesis took a make-or-break chance on the growing prog rock fanbase.
The tour’s stage show promised to be an extravaganza for the senses—high-concept prog rock with a massive slideshow on three backdrop screens, a laser lighting display, and lead vocalist Peter Gabriel going mad with costume changes, props, and theatrics. There were technical problems from the get-go. Perhaps audiences were awed by the spectacle, but keyboardist Tony Banks has remarked that everything worked for only a few shows.
Gabriel would leave the band at the end of this tour in May 1975, making way for Genesis Mark II. Ultimately, The Lamb Lies Down on Broadway tour may not have been a financial success, but it established the band globally, with or without Gabriel.
| Genesis at Maple Leaf Gardens, Toronto, ON December 16, 1974 |
|---|
| Setlist |
| The Lamb Lies Down on Broadway Fly on a Windshield Broadway Melody of 1974 Cuckoo Cocoon In the Cage The Grand Parade of Lifeless Packaging Back in N.Y.C. Hairless Heart Counting Out Time Carpet Crawlers The Chamber of 32 Doors Lilywhite Lilith The Waiting Room Anyway The Lamia Silent Sorrow in Empty Boats Here Comes the Supernatural Anaesthetist The Colony of Slippermen Ravine The Light Dies Down on Broadway Riding the Scree In the Rapids It Encore: The Musical Box Watcher of the Skies |
Eno and The Winkies at King’s Hall, Derby, England
| Date: | February 13, 1974 |
| Tour: | Here Come the Warm Jets |
There is a limited library of must-hear 1960s and 1970s rock records that everybody should hear, if for no other reason than it will help you understand why a broad swath of rock music sounds like it does today, and Brian Eno released two of these must-hear albums in 1974: Here Come the Warm Jets and Taking Tiger Mountain by Strategy.
Excluding his time with Roxy Music, historically, Eno has been noticeably absent from traditional live rock performances. In fact, he often didn’t appear on stage with Roxy Music, instead setting up a mixing console somewhere else in the room. To promote the release of Warm Jets, Eno organized what some say is his first and only solo tour, hitting the road with a backup band called The Winkies. The tour ended after six shows when Eno suffered a collapsed lung. He returned to the stage in June 1974 to play a pair of shows with John Cale, Kevin Ayers, and Nico (insert album here), and later, a handful of shows in late summer with The Winkies.
This show in Derby is one of 18 documented Brian Eno appearances in 1974, and as previously mentioned, Eno never played another traditional rock show. Anybody who got to see him in 1974 should consider themselves exceptionally blessed.
| Eno and The Winkies at King’s Hall, Derby, England February 13, 1974 |
|---|
| Setlist |
| Walk On Blank Frank Needles in the Camel’s Eye Dead Finks Don’t Talk Dignified by the Door Love Slips Away Here Come the Warm Jets Fever (Eddie Cooley cover) I’m a Boy (The Who cover) What Goes On (The Velvet Underground cover) The Paw Paw Negro Blowtorch Baby’s on Fire I’ll Come Running Seven Deadly Finns I Go Ape (Neil Sedaka cover) |
King Crimson at Casino Arena, Asbury Park, NJ, USA
| Date: | June 28, 1974 |
| Tour: | Starless and Bible Black Tour |
This is one of the last shows King Crimson played before disbanding in September 1974. The lineup of Robert Fripp (guitar), John Wetton (bass, vocals), Bill Bruford (drums), and David Cross (violin) is considered one of their strongest outfits.
| King Crimson at Casino Arena, Asbury Park, NJ, USA June 28, 1974 |
|---|
| Setlist |
| Frippertronics Larks’ Tongues in Aspic, Part Two Lament Exiles Asbury Park (Improv) Easy Money (Improv) Fracture Starless 21st Century Schizoid Man |
Yes at Alexander Memorial Coliseum, Atlanta, GA, USA
| Date: | February 11, 1974 |
| Tour: | Tales from Topographic Oceans |
Tales from Topographic Oceans, the sixth studio album by Yes, was a polarizing work of orchestral rock that marked a turning point for the band, generating both acclaim and controversy among fans and critics. The double album was inspired by Jon Anderson’s interpretation of the Shastric scriptures, drawn from a footnote in Paramahansa Yogananda’s Autobiography of a Yogi.
…and that’s how they lost about half of their audience, including Billy Joel, who said, “ I was with Yes up until Tales from Topographic Oceans. Then they lost me.” Even keyboardist Rick Wakeman was dissatisfied with the album, criticizing certain sections as overly drawn-out and fluffy.
Yes initially planned to launch the tour for Tales from Topographic Oceans with a U.S. leg in October 1973, but those dates were canceled to allow more time for studio work. After the album’s release, Jon Anderson wanted to postpone the tour and album release until January 1974 for additional rehearsal time. However, with half the tickets for the UK shows already sold, the band couldn’t delay the schedule. The group played five consecutive sold-out nights at London’s Rainbow Theatre, becoming the first rock band to achieve this milestone.
From November 1973 to April 1974, the extensive 77-date tour covered Europe and North America. The setlist featured full performances of Close to the Edge and Tales from Topographic Oceans, along with encore selections. The North American leg included two sold-out concerts at Madison Square Garden.
The tour required four times as much equipment as previous outings, with an elaborate stage designed by Roger and Martyn Dean. Two versions of the set were constructed, with the second, introduced for the U.S. leg, featuring fiberglass structures, dry ice effects, a drum platform surrounding Alan White, and a tunnel entrance for the band. In one incident, White became stuck inside the malfunctioning drum structure, an experience he and keyboardist Rick Wakeman later claimed inspired a scene in This Is Spinal Tap (1984).
Following the 1973–1974 tour, Wakeman left Yes, later finding success with his solo album Journey to the Centre of the Earth, which topped the UK charts in May 1974.
| Yes at Alexander Memorial Coliseum, Atlanta, GA, USA February 11, 1974 |
|---|
| Setlist |
| Introduction The Firebird Suite (Igor Stravinsky song) Close to the Edge Siberian Khatru And You and I Rick Wakeman Solo Tales from Topographic Oceans The Revealing Science of God (Dance of the Dawn) The Remembering (High the Memory) The Ancient (Giants Under the Sun) Ritual (Nous sommes du soleil) Encore: Roundabout |
Roxy Music at Rainbow Theatre, London, England
| Date: | October 5, 1974 |
| Tour: | Country Life |
Brian Eno was long gone by this time, but the two records that came out in his absence, Stranded (1973) and Country Life (1974), have been called the pinnacle of contemporary British art rock. This show has a fantastic mix of jams from all four records.
- Bryan Ferry: vocals and keyboards
- Phil Manzanera: guitars
- John Gustafson: bass
- Paul Thompson: drums
- Andy Mackay: sax & oboe Eddie Jobson: violin & keyboards
| Roxy Music at Rainbow Theatre, London, England October 5, 1974 |
|---|
| Setlist |
| Prairie Rose Beauty Queen Mother of Pearl Out of the Blue A Song for Europe Three and Nine If It Takes All Night In Every Dream Home a Heartache If There Is Something All I Want Is You The Bogus Man Street Life Virginia Plain Editions of You Encore: Re-Make/Re-Model Do the Strand |
Elton John (ft. John Lennon) at Madison Square Garden, New York, NY, USA
| Date: | November 28, 1974 |
| Tour: | Caribou |
This concert marks John Lennon’s last major performance and features a compelling setlist.
Elton spent the latter half of 1973 and part of 1974 touring in support of Goodbye Yellow Brick Road, taking a quick break in January 1974 to record his seventh studio album Caribou (released in June 1974), which featured “Don’t Let the Sun Go Down on Me” and “The Bitch is Back”.
After Lennon [somehow] collaborated on Elton’s cover of “Lucy in the Sky (With Diamonds)”—recorded as a pre-emptive single for Caribou (doesn’t appear on the album) and the first Beatles cover song to reach #1—Elton wound up in the studio during the recording of Lennon’s fourth solo album, Walls and Bridges (1974), singing and playing piano on “Whatever Gets You Thru the Night”.
Elton bet Lennon that “Whatever” would go to # 1, and if it did, Lennon would join Elton on stage at a date to be determined. The song went to #1, and Lennon obliged.
Set 1 is loaded with cuts from GYBR and a smattering of previous hits like “Daniel”. Ending with Lennon on “The Bitch is Back.” Looks like a great show, but don’t take my word for it. The video isn’t the greatest, but the feeling is there. It’s amazing. See for yourself.
| Elton John (ft. John Lennon at Madison Square Garden, New York, NY, USA November 28, 1974 |
|---|
| Setlist |
| Set 1: Funeral for a Friend/Love Lies Bleeding Candle in the Wind Grimsby Rocket Man (I Think It’s Going to Be a Long, Long Time) Take Me to the Pilot Bennie and the Jets Grey Seal Daniel Goodbye Yellow Brick Road Burn Down the Mission You’re So Static Whatever Gets You Thru the Night (John Lennon cover) (with John Lennon) (with “I Feel Fine” tease by John Lennon) Lucy in the Sky With Diamonds (The Beatles cover) (with John Lennon) I Saw Her Standing There (The Beatles cover) (with John Lennon) Set 2: Don’t Let the Sun Go Down on Me Honky Cat All the Girls Love Alice Saturday Night’s Alright for Fighting Encore: Crocodile Rock Your Song The Bitch Is Back (with John Lennon) |
Sparks at Apollo Theatre, Glasgow, Scotland
| Date: | November 21, 1974 |
| Tour: | Propaganda |
Easily the most under-appreciated art rock band of all time.
| Sparks at Apollo Theatre, Glasgow, Scotland November 28, 1974 |
|---|
| Setlist |
| Talent Is an Asset Reinforcements Achoo Bon Voyage Hasta Manana Monsieur Girl From Germany Thank God It’s Not Christmas In My Family Never Turn Your Back on Mother Earth B.C. This Town Ain’t Big Enough for Both of Us Amateur Hour Here in Heaven |
Bob Dylan & The Band at Maple Leaf Gardens, Toronto, ON, Canada
| Date: | January 9, 1974 |
| Tour: | Before the Flood/ Planet Waves |
Dylan and the Band performed five alternating sets: an opening six-song Dylan/Band set, a five-song Band set, three more Dylan/Band performances, a five-song Dylan acoustic set, a three-song Band set, and a joint encore. It’s safe to say the setlist was designed to give Dylan and the Band enough time to do lines of blow between assignments. Nearly every song on the setlist is familiar to fans, but Dylan and the Band played re-arranged and re-imagined versions that didn’t sound like the originals.
The tour exposed Dylan’s ongoing intentions to re-work the older material that made him famous. And foreshadowed the snow-show of The Last Waltz (1976).
| Bob Dylan & The Band at Maple Leaf Gardens, Toronto, ON, Canada January 9, 1974 |
|---|
| Setlist |
| Set 1 (Dylan/Band): Rainy Day Women #12 & 35 Lay Lady Lay Just Like Tom Thumb’s Blues It Ain’t Me, Babe It Takes a Lot to Laugh, It Takes a Train to Cry Ballad of a Thin Man Set 2: (The Band) Stage Fright The Night They Drove Old Dixie Down Up on Cripple Creek I Shall Be Released King Harvest (Has Surely Come) Set 3: (Dylan/Band) All Along the Watchtower Ballad of Hollis Brown Knockin’ on Heaven’s Door Set 4: (Dylan acoustic) Just Like a Woman Girl From the North Country Wedding Song Nobody ‘Cept You It’s Alright, Ma (I’m Only Bleeding) Set 5: (The Band) Forever Young Something There Is About You Like a Rolling Stone Encore: (Dylan/Band) Most Likely You Go Your Way and I’ll Go Mine |
Sly and the Family Stone at Madison Square Garden, NYC, USA
| Date: | June 5, 1974 |
| Tour: | n/a |
By 1974, Sly and the Family Stone were cresting the slope toward the nadir of their funk rock existence. Despite a bad reputation for no-shows and excessive drug use, the group still had enough in the tank to headline (and sell out) Madison Square Garden—but not without a fabulous publicity stunt.
As retold in Stone’s memoir, this is the infamous show where Stone married model-actress Kathy Silva on stage, followed by a set from the band and a party on the rooftop of the Waldorf Astoria Hotel. The video is great. Highly recommended!
| Sly and the Family Stone at Madison Square Garden, NYC, USA June 5, 1974 |
|---|
| Setlist (probably incomplete) |
| Thank You (Falettinme Be Mice Elf Agin) Family Affair I Want to Take You Higher Dance to the Music If You Want Me to Stay Stand! |
Bob Marley & The Wailers at Carib Theatre, Kingston, Jamaica
| Date: | May 28, 1974 |
| Tour: | n/a |
This is one of the first performances after Peter Tosh and Bunny Wailer left the band, and one of the handful of Bob Marley’s documented live shows in 1974.
| Bob Marley & The Wailers at Carib Theatre, Kingston, Jamaica May 28, 1974 |
|---|
| Setlist |
| To Be Young, Gifted and Black (Nina Simone cover) That’s How Strong My Love Is (O.V. Wright cover) Sweet Inspiration Burnin’ and Lootin’ Slave Driver You Can’t Blame the Youth Arab Oil Weapon Get Up, Stand Up Rebel Music (3 O’Clock Roadblock) |
Queen at Rainbow Theatre, London, England
| Date: | November 19–20, 1974 |
| Tour: | Sheer Heart Attack |
Amazing live footage of these shows!
| Queen at Apollo Theatre, Glasgow, Scotland November 19, 1974 |
|---|
| Setlist |
| Procession Now I’m Here Ogre Battle Father to Son White Queen (As It Began) Flick of the Wrist In the Lap of the Gods Killer Queen The March of the Black Queen Bring Back That Leroy Brown Seven Seas of Rhye Stone Cold Crazy Son and Daughter Keep Yourself Alive Liar In the Lap of the Gods… Revisited Encore: Big Spender (Cy Coleman cover) Modern Times Rock’n’Roll Jailhouse Rock (Elvis Presley cover) God Save the Queen ([traditional] cover) |
Stevie Wonder at Cow Palace, Daly City, CA
| Date: | November 27, 1974 |
| Tour: | Fall Festival ‘74 |
Stevie hit the road in support of his second consecutive Grammy-winning “Record of the Year”, Fulfillingness’ First Finale, and honestly, this looks like a fun set. I’m wondering if late November is a smidge too early for Christmas music?
| Stevie Wonder at Cow Palace, Daly City, CA November 27, 1974 |
|---|
| Setlist |
| Higher Ground Signed, Sealed, Delivered I’m Yours Lookin’ for Another Pure Love Visions Golden Lady Too High Boogie On Reggae Woman I Was Made to Love Her Respect (Otis Redding cover) My Cherie Amour Earth Angel (Will You Be Mine) (The Penguins cover) Daddy’s Home (Shep & the Limelites cover) Ain’t Too Proud to Beg (The Temptations cover) Uptight (Everything’s Alright) Fingertips All in Love Is Fair (How Much Is) That Doggie in the Window? (Patti Page cover) Dixieland (Winifred Atwell cover) Don’t You Worry ’bout a Thing You Haven’t Done Nothin’ Living for the City Jingle Bells (James Lord Pierpont cover) Santa Claus Is Comin’ to Town (Harry Reser and His Orchestra cover) You Are the Sunshine of My Life Superstition |
Joni Mitchell at Roosevelt Raceway, Westbury, NY, USA
| Date: | September 8, 1974 |
| Tour: | New York ‘Summersault’ ’74 |
I’m not a big fan of Joni Mitchell, but everything I’ve read or heard indicates that 1974 was probably the best time to see her live, ever. This looks like a solid set.
| Joni Mitchell at Roosevelt Raceway, Westbury, NY, USA September 8, 1974 |
|---|
| Setlist |
| Free Man in Paris You Turn Me On, I’m a Radio Big Yellow Taxi Same Situation Rainy Night House Woodstock This Flight Tonight People’s Parties All I Want Woman of Heart and Mind Cold Blue Steel and Sweet Fire Blue For Free Help Me Jericho Love or Money The Last Time I Saw Richard Twisted (Annie Ross cover) |
Steely Dan at Honolulu International Center, Honolulu, HI, USA
| Date: | March 29, 1974 |
| Tour: | Pretzel Logic |
Steely Dan is up there with the great bands that I never got to see live.
| Steely Dan at Honolulu International Center, Honolulu, HI, USA March 29, 1974 |
|---|
| Setlist |
| Bodhisattva The Boston Rag Do It Again Any Major Dude Will Tell You King of the World Rikki Don’t Lose That Number Pretzel Logic My Old School Dirty Work Your Gold Teeth II Amazing Grace (John Newton cover) Reelin’ in the Years Show Biz Kids Encore: This All Too Mobile Home (with Jesse Colin Young) |
Elvis Presley at Mid-South Coliseum, Memphis, TN, USA
| Date: | March 29, 1974 |
| Tour: | Pretzel Logic |
On the same night that Steely Dan was killing it in Honolulu, Elvis was dragging his doped-up ass through what I’m assuming was a dissipated set of oldies and a suspiciously high number of Olivia Newton-John covers.
| Elvis Presley at Mid-South Coliseum, Memphis, TN, USA March 20, 1974 |
|---|
| Setlist |
| Set 1: See See Rider Blues (‘Ma’ Rainey & Her Georgia Jazz Band cover) I’ve Got a Woman (Ray Charles cover) Amen Love Me (Willy and Ruth cover) If You Love Me (Let Me Know) (Olivia Newton‐John cover) It’s Midnight Big Boss Man (Jimmy Reed cover) Fever (Eddie Cooley cover) Love Me Tender Hound Dog (Big Mama Thornton cover) All Shook Up (Let Me Be Your) Teddy Bear Don’t Be Cruel Heartbreak Hotel Set 2: Why Me (Kris Kristofferson cover) Promised Land (Chuck Berry cover) You Gave Me a Mountain (Marty Robbins cover) Let Me Be There (Olivia Newton‐John cover) Hawaiian Wedding Song (Charles E. King cover) Can’t Help Falling in Love Closing Vamp |
Lynyrd Skynyrd at Nichols State University Gymnasium, Thibodaux, LA, USA
| Date: | September 19, 1974 |
| Tour: | Second Helping |
I would have liked to hear “I Ain’t the One” and “Tuesday’s Gone”, but I’m sure I would have walked away from this show with a swampy smile.
| Lynyrd Skynyrd at Nichols State University Gymnasium, Thibodaux, LA, USA September 19, 1974 |
|---|
| Setlist |
| Whiskey Rock-a-Roller The Needle and the Spoon I’m a Country Boy Gimme Three Steps Don’t Ask Me No Questions Saturday Night Special Railroad Song Call Me the Breeze (J.J. Cale cover) Sweet Home Alabama On the Hunt Encore: Free Bird |
The Kinks at Palace Concert Theater, Providence, RI, USA
| Date: | November 30, 1974 |
| Tour: | Preservation Act 2 |
Commercially, the Kinks were in the doldrums at this point. Preservation Act 1 (1973) and Preservation Act 2 (1974) were not well received. Few people were interested in the story of Mr. Flash and his enemy Mr. Black. Following some personal setbacks, Ray Davies took the band on the road to promote Act 2, and reviews were mixed about the performances. The first set is chock full o’ hits. The second set is most of Act 1 and a lot of Act 2. I honestly don’t think I would have made it through Set 2.
| The Kinks at Palace Concert Theater, Providence, RI, USA November 30, 1974 |
|---|
| Setlist |
| Set 1: Here Comes Yet Another Day You Really Got Me All Day and All of the Night Celluloid Heroes Waterloo Sunset Sunny Afternoon Day-O (The Banana Boat Song) ([traditional] cover) Lola Acute Schizophrenia Paranoia Blues Alcohol Skin and Bone Good Golly, Miss Molly (Little Richard cover) Set 2: Preservation Preservation Morning Song Daylight There’s a Change in the Weather Money & Corruption / I Am Your Man Here Comes Flash Demolition Money Talks Shepherds of the Nation He’s Evil Scum of the Earth Slum Kids Mirror of Love Flash’s Dream (The Final Elbow) Flash’s Confession Nothing Lasts Forever Artificial Man Scrapheap City Salvation Road Preservation Finale |
David Bowie at Capital Centre, Landover, MD, USA
| Date: | November 11, 1974 |
| Tour: | Diamond Dogs |
In 1974, David Bowie reinvented himself again—in real time. Diamond Dogs marked the end of his glam rock period, and midway through the year, The Thin White Duke was born.
The theatrical version of the Diamond Dogs tour opened in June at the Montreal Forum. The stage set and props reportedly cost $250,000 per show. Bowie took time off in August to record Young Americans, released in 1975. This Landover, MD show occurred during the third leg of the Diamond Dogs tour, called “The Soul Tour” because Bowie abandoned the rock opera set in favor of his new Philadelphia soul vision.
| David Bowie at Capital Centre, Landover, MD, USA November 30, 1974 |
|---|
| Setlist |
| Memory of a Free Festival Rebel Rebel John, I’m Only Dancing (Again) Sorrow (The McCoys cover) Changes Young Americans 1984 Footstompin’ (The Flares cover) Rock ‘n’ Roll With Me Love Me Do (The Beatles cover) The Jean Genie Moonage Daydream Can You Hear Me Somebody Up There Likes Me Suffragette City Rock ‘n’ Roll Suicide |
Just for fun, let’s compare the November 30 setlist to June 14 at the Montreal Forum.
| David Bowie at Montreal Forum, Montreal, QC, Canada June 14, 1974 |
|---|
| Setlist |
| 1984 Rebel Rebel Moonage Daydream Sweet Thing Candidate Sweet Thing (Reprise) Changes Suffragette City Aladdin Sane All the Young Dudes Cracked Actor Rock ‘n’ Roll With Me Space Oddity Future Legend Diamond Dogs Panic in Detroit The Jean Genie Big Brother Chant of the Ever Circling Skeletal Family Time Rock ‘n’ Roll Suicide |
Rush at Agora, Cleveland, OH, USA
| Date: | August 26, 1974 |
| Tour: | Rush |
This is supposedly their first American tour date with Neil Peart on drums.
| Rush at Agora, Cleveland, OH, USA August 26, 1974, 1974 |
|---|
| Setlist |
| Finding My Way Best I Can Need Some Love In the End Fancy Dancer In the Mood Bad Boy (Larry Williams cover) Here Again Working Man Drum Solo Encore: What You’re Doing Garden Road |
For hardcore Rush fans only. “Fancy Dancer”?
Electric Light Orchestra (ELO) at The University of Sheffield, England
| Date: | February 1, 1974 |
| Tour: | On the Third Day |
ELO gets lumped in with progressive rock because they looked the part. They had tremendous light shows. But if you really dig into their music, a lot of it was Chuck Berry and disco with violins (aka cello rock).
| Electric Light Orchestra (ELO) at The University of Sheffield, England April 27, 1974 |
|---|
| Setlist |
| Daybreaker Showdown Day Tripper (The Beatles cover) Ocean Breakup/King of the Universe Bluebird Is Dead Oh No Not Susan New World Rising/Ocean Breakup Reprise 10538 Overture Violin Solo Ma-Ma-Ma Belle In the Hall of the Mountain King (Edvard Grieg cover) Great Balls of Fire (Otis Blackwell cover) Roll Over Beethoven |
So, what do you think of my list of Great Rock Set Lists in 1974? Drop me a note in the comments!
